Notes
Cruel Symmetry' is the third album by the German band ARGOS. They are German, but their sound is very British. Not only the words (Robert Gozon is an English teacher), the whole direction of the music, the themes and concept is pure British-progressive-rock. On 'Argos', the 2009 debut, they made their statement to their influences: Genesis and Gentle Giant, the Canterbury-scene and the adult Beatles. The second album 'Circles' (2010) was again a successful mixture of seventies spirit and temporary sound. The mellotron and analog synths meets 'Cubase' and 'Logic'. And now in 2012 'Cruel Symmetry' is out. The cover (as always by Thomas Klarmann) is once more a perfect mirror to the spirit, themes, lyrics and music of the album. It starts with the title track, a 13 part- suite over more than 20 minutes (they never reached the 10-minute border before). This centerpiece has all the necessary ingredients: strong melodies, floating intrumental parts, combining themes, a textual concept and a hymnic conclusion. All the trademarks of the band were shown. The composition is sophisticated, arrangements are elaborated, the sound floats between a magic flute, prominent keyboards and guitars, opulent bass and drums and at least very individual vocols. The other six songs are on the same high level. The lyrics are well-thought-out and humorous ('flying Robert'; 'his hat goes North'). The songwriting is elaborate and consequent, the music is thrilling and exciting all the time. A delicate album, tender in mood with a little heavy edge in 'Caught within the light'.
