Reviews
3.5 stars out of 5 - "With clipped guitars, staccato bass, drums that crackle with tension and icy background keyboards that hum like defective air conditioning.", "The Album Finds Robert Smith Starting to Get His 'Phantom of the Opera' On...", Ranked #65 in Q's "100 Greatest British Albums" - "...A clean, contemplative, at times desolate guitar record that...tapped into a peculiarly suburban paranoia....their career as Goth ambassadors was launched.", 4 stars out of 5 - "Poised and atmospheric, there's a Nick Drake-like organic clarity to SEVENTEEN SECONDS..."
