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Last Bright Light - in my opinion, the best album of Mostly Autumn. Creation of this group is often compared with the works of Pink Floy, but in my opinion, this is not the case. Music Mostly Autumn is fully independent and has the perfect balance of male and female vocals. Lush keys, and a typical progressive music sound "howling" guitar. (about how the album Pink Floyd - A Momentary ... Maybe that's why compare these two groups? But I think that this is not a basis for comparison). Melodies have a rather complicated structure, which is an additional huge plus. I can not recommend this group everyone who is interested in music in the style of porgressiv.
Wonderful CD from one of my favourite bands.
Verified purchase: Yes | Condition: Pre-owned
By 2001 Mostly Autumn had already released two very highly rated albums and this release would only increase there already impressive reputation. One of Britain’s top Progressive/Celtic Rock bands have produced a stunning new album. Mostly Autumn have already amassed an avid following due to their first two albums “For All We Shared” and “The Spirit Of Autumn Past” along with their great live performances which have captivated all who have seen them. “The Last Bright Light” has masterful songwriting, instrumental prowess and great solos, stunning flowing guitar work, Celtic Rock and jigs, great vocals by lead singer Heather Findlay, long tracks and shorter ones. Songs about love and war, the unhappiness of broken relationships, and the wonder and greatness of nature. Prints In The Stone is the single, a beautiful melody with flute and low whistles from Iona man Troy Donockley creating a pastoral mood. Helms Deep has a great Celtic feel with a bodhran intro which breaks into a flute led jig and is finished with a stunning electric guitar solo. Heather Findlay’s beautiful voice is demonstrated to the full in Shrinking Violet as the song builds and builds to an infectious chorus refrain with sustained guitar work. Mother Nature is the album’s 12 minute tour de force - a beautiful melody with great counterpoint between the vocalists which suddenly changes as the band pushes forward. A small accoustic interlude and then crashes of thunder set the band off again for a superb climax with dual guitars alternating the lead over a hypnotic piano motif.Read full review
i decided to buy this as i am collecting Mostly Autumn cds and i was not disappointed. A excellent early offering from an excellent band who I think if there was any justice in the world would be one of, if not the biggest band in Britain.
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