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Ludwig van Beet Introduction to the Pastoral Symphony, An (Siep (CD) (UK IMPORT) - Picture 1 of 1

Classics Explained: Pastoral Symphony by Beethoven / Siepmann / Esterházy Sinfonia (CD, 2002)

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Title: Introduction to the Pastoral Symphony, An (Siepmann). Artist: Ludwig van Beethoven. Composer: Ludwig van Beethoven. Format: CD. Missing Information?. Record Label: Naxos. Edition: Album.

About this product

Product Identifiers

Record Label
Naxos, NXS
UPC
0636943803424
eBay Product ID (ePID)
8046040200

Product Key Features

Release Year
2002
Format
CD
Genre
Books on Tape/CD
Artist
Beethoven / Siepmann / Esterházy Sinfonia
Release Title
Classics Explained: Pastoral Symphony

Dimensions

Item Height
0.69in
Item Weight
0.53lb.
Item Length
5.68in
Item Width
5.04in

Additional Product Features

Number of Tracks
125
Number of Discs
1
Tracks
1.1 On Beethoven's Openings 1.2 Opening Phrase of the 'Pastoral': Mood, Symbolism and Musical Function 1.3 Musical Acorns: The Outline of Melody; the Shape of a Question 1.4 The 'Question' in the 'Pastoral' Repeated 1.5 ... And Answered 1.6 The Opening Phrase Ends on a Note Full of Pregnant Expectation 1.7 Starting with a Stop 1.8 The Rhythmic Profile of the Opening Phrase; a Two-Part Construction 1.9 Phrase One, Part One 1.10 Phrase One, Part Two 1.11 The Properties of Rhythmic Ambiguity; the 'Question' of Phrase One Answered 1.12 Phrase Two: From Meander to March 1.13 The Makings of a Conversation: Contrast and Variation 1.14 Repetition As a Major Factor, But It's Never Mere Repetition; Each Time Something New Is Added 1.15 From Soft to Loud and Back Again; Instrumental Enrichment from Horns and Double-Basses 1.16 Mega-Repetition: Violins Play Exactly the Same Little Fragment Ten Times in a Row 1.17 But No Two Repetitions Are Quite the Same; Variaties of Contrast 1.18 More Variation; Pitch Rises; Violins Joined First By the Clarinet, Then By the Oboe 1.19 Return to Opening Idea, But with New Instrumentationand Articulation 1.20 Clarinets, Horns, Bassoons and Flutes Now Join Expansive Variation 1.21 'New' Insistent Rhythm Derived from the First Four Notes of the Piece 1.22 With the Dawn Chorus, a Whole Forest Is Waking Up; Feelings of Rapture 1.23 First Violins Play a Derivative of the Opening Figure, Joined By Wind and Strings 1.24 Sudden Change of Key, from the Home Key (Tonic) to the Dominant 1.25 Arrival at the Highly Contrasting Second Main Theme 1.26 Unusual Properties of Second Main Theme 1.27 Rhythmic Clash Between Simultaneous Groups of Three Beats and Groups of Two 1.28 Winds Fall Silent As the Violins and Violas Interrupt with a New Theme 1.29 Winds Answer with the Same Morse-Like Rhythm, But at Half the Speed 1.30 Crescendo Leads to Strings' Acceleration of the Pace with No Increase in Tempo 1.31 Beginning of Coda, Directly Based on Morse-Like Rhythm of the Main Theme 1.32 Strings Reiterate Small Fragmentof the New Theme 13 Times in a Row 1.33 A Simple, Rising Violin Phrase Leads to a Repeat of the Exposition 1.34 The Nature and Function of the Development Section in Sonata Form; 'Harmonic' Rhythm Explained 1.35 The Nature of Harmonic Rhythm Illustrated 1.36 A Typically Beethovenian Exercise in the Frustration of Expectation 1.37 Repetitiousness and Magic Effected Largely Through Instrumental Colour 1.38 Then Come Four, Almost Identical Bars 1.39 Even Greater Magic, with Sudden Switch of Key and Tone Colour 1.40 Entire Development Section Up to This Point 1.41 The Development Continued 1.42 Increased Unease and Suspense As Harmonic Rhythm Accelerates 1.43 Arrival at the Point of Recapitualtion; Back to the Beginning, As a Reminder 1.44 Beginning of Recapitulation 1.45 More Beethovenian Frustrations of Expectations Which He Himself Has Just Set Up 1.46 Harmonic Rhythm Speeds Up, Giving the Impression of An Accent on Every Beat 1.47 Prevailing Mood Restored; New Themefrom Clarinets and Bassoons 1.48 Violins and Violas Take Up Theme; Horns, Cellos, Double-Basses Accompany 1.49 A Hush Falls, Followed By a Return of the Movement's Most Familiar Tag in Strings 1.50 Clarinet Takes Up the Running Triplet Figures of the Main Closing Theme 1.51 First Violins Take Up the Opening Phrase Again, Accompanied By Double-Basses 1.52 Beethoven Slips in One Last Surprise; Cue to Complete Movement 1.53 First Movement (Complete) 1.54 General Introduction; the Birth of a Melody 1.55 Brook Music Quickens; Syncopated Horns; Themes Change Hands; Evocation of Birdsong 1.56 The 'Mottl' Theme Introduced By Violins and Treated to Round-Like Overlappings 1.57 Transitional 'Bridge' Theme Sets Off for New Key Group. But Is It? and Does It? 1.58 Will He, or Won't He? Beethoven Keeps Us Guessing 1.59 The Run-Up to the Second Group 1.60 Arrival at the Second Group; But Where Is the Actual Second Subject? 1.61 A New Tune Is Introduced By th
Subgenre
Classical Composers

All listings for this product

item 1 Ludwig van Beet Introduction to the Pastoral Symphony, An (Siep (CD) (UK IMPORT)
$26.27
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item 2 AN INTRODUCTION TO BEETHOVEN: THE PASTORAL SYMPHONY NEW CD
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item 3 Ludwig van Beethoven Introduction to the Pastoral Symphony, An (Siepmann) (CD)
$34.43
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Picture 1 of 1

Classics Explained: Pastoral Symphony by Beethoven / Siepmann / Esterházy Sinfonia (CD, 2002)

About this product

Product Identifiers

Product Key Features

Dimensions

Additional Product Features

All listings for this product

item 1 Ludwig van Beet Introduction to the Pastoral Symphony, An (Siep (CD) (UK IMPORT)

item 2 AN INTRODUCTION TO BEETHOVEN: THE PASTORAL SYMPHONY NEW CD

item 3 Ludwig van Beethoven Introduction to the Pastoral Symphony, An (Siepmann) (CD)

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