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RAN BLAKE & DOMINIQUE EADE - Whirlpool - CD - **Mint Condition** - Picture 1 of 1

Whirlpool by Blake, Ran / Eade, Dominique (CD, 2011)

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RAN BLAKE & DOMINIQUE EADE - Whirlpool - CD - **Mint Condition**.

About this product

Product Identifiers

Record Label
Cdb, CD Baby
UPC
0671384300224
eBay Product ID (ePID)
4046042437

Product Key Features

Release Year
2011
Format
CD
Genre
Jazz
Artist
Blake, Ran / Eade, Dominique
Release Title
Whirlpool

Dimensions

Item Height
0.15in
Item Weight
0.07lb.
Item Length
5.50in
Item Width
5.11in

Additional Product Features

Number of Tracks
13
Number of Discs
1
Tracks
1.1 My Foolish Heart 1.2 Dearly Beloved 1.3 The Wind 1.4 Go Gently to the Water 1.5 Old Devil Moon 1.6 Pinky 1.7 Falling 1.8 Where Are You 1.9 Out of This World 1.10 The Pawnbroker 1.11 Dearly Beloved 1.12 The Thrill Is Gone 1.13 After the Ball
Notes
LINER NOTES BY BOB BLUMENTHAL: CONSIDER THIS MUSIC A MISSIVE FROM THE REALM OF GOOD THINGS LONG OVERDUE. It is the product of an inspired pairing of artists that, while nurtured for decades, has for the most part managed to escape documentation; and it marks some of the most compelling music in two already illustrious careers. In the case of Ran Blake, that career has spanned a half century and yielded many gifts, including a solo piano language that blends audacious harmonic and rhythmic ideas with gospel-like fervor; a redefinition of "Third Stream" that has effectively globalized his mentor Gunther Schuller's original concept of jazz/classical merger to encompass all cultural sources; and a sonic translation of the expressionistic gestures and subconscious motivations of classic film noir. Then there is the body of work that Blake has created with vocalists, going back to his first commercial recordings with Jeanne Lee. That partnership was formed while both Blake and Lee were students at Bard College in the late 1950s and revealed to the world in the 1961 sessions that comprise The Newest Sound Around. With their fresh take on repertoire and even fresher notion of vocal-instrumental interaction, Blake and Lee brought a new sense of parity to the singer/pianist duo, in the same manner that Bill Evans' first working group redefined notions of the piano trio. When Blake began his ongoing tenure at the New England Conservatory of Music in 1967, his circle of vocal partners began to expand. The textures of a Blake-based duo expanded as well, as the point was not to recreate the magic he made with Lee but to use it as a touchstone for further dialogues, each with it's own passions and inflections. None has proven deeper or more resonant than the collaboration begun when a talented undergraduate first encountered the pianist three decade ago. "It started shortly after I arrived at Berklee College after two years at Vassar," Dominique Eade recalls. "Hearing Ran play led me to transfer to NEC. I was only 19, and was immediately attracted to his molten creativity. As surprising as his music can be, it also somehow felt inevitable." Blake recalls being similarly impressed. "She knocked us out," he says of Eade's audition for what was then NEC's Third Stream Department. "Then and now, she was full of surprises, certainly more than I hear from most horn players." The tutorial that followed has been as influential as any in molding Eade's conception. When she describes Blake's impact she reveals many of her own core values as both vocalist and teacher. "From the beginning, Ran never made me feel like 'the student' when I performed with him. He is a great example of how the psychological impact of each decision you make must be considered, and of how to break each piece down minutely so that your choices aren't simply made to make yourself look good. A glib facility may stop you from appreciating what's underneath. Ran's obviously a genius of harmony, but that genius is based on his deep understanding of melody, where each note is a prism. And he has a childlike quality that, while obviously passionate, as a duo partner is, at times, almost mischievous." The responsiveness we value in the best jazz is at the heart of the partnership. Eade admits that her sound can change depending upon her musical partners, which can be confirmed by hearing both the present versions of Russ Freeman's "The Wind" and Harold Arlen's "Out of This World" with those she recorded, respectively, with Fred Hersch on her album When the Wind was Cool and Stanley Cowell on her debut disc, The Ruby and the Pearl. Hold the pianist constant and a moment's inspiration will still produce distinctive results. "Dearly Beloved," heard in two takes, illustrates the conversational nature of her process. The words that Eade sings provide another factor in her aesthetic equation. Blake admits that "melody and the harmonic sense are most important to me; otherwise I wo

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Picture 1 of 1

Whirlpool by Blake, Ran / Eade, Dominique (CD, 2011)

About this product

Product Identifiers

Product Key Features

Dimensions

Additional Product Features

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