Reviews
"Still Holding is Bruce Wagner's masterpiece. It's the place where his razor-eyed contempt melts, and he extends to his Hollywood doomed and damned a horrible empathy and pity. It's a primer and a Baedeker of the corruption of media and the human cost of playing game. This book contains miracles of wit, laughter and social commentary. It's a Hollywood novel that embraces everyone who has ever wanted to be someone else. Wagner's heart and energy abound." --James Ellroy, "Bruce Wagner writes comedies of manners...and they're caustic enough to take the paint off walls, which is why they're so memorable...[Still Holding]is just sardonic enough to be hilarious and just serious enough to be scary."-- Janet Maslin on CBS-TV "Sunday Morning", "The effect is like a Buddhist El Greco, a coil of figures spiraling awkwardly heavenward against a garish backdrop...But it's a gorgeous freak show, and part of the pleasure is that Wagner seems to be having so much fun."--New York Magazine, "Bruce Wagner writes comedies of manners...and they're caustic enough to take the paint off walls, which is why they're so memorable... [Still Holding] is just sardonic enough to be hilarious and just serious enough to be scary." -- Janet Maslin on CBS-TV "Sunday Morning", "Still Holdingfinds the Nabakov of New Age Angeleno life in the best form of his career - which is saying something...Probably because of the ghettoization of the Hollywood novel, Wager has never received the Franzen-like critical adulation that he deserves. Then again, he has never particularly sought celebrity; he has simply made it his own territory, with as much genius and ferocity as Faulkner applied to laying bare the gloriously unsavory humanity of Yoknapatawpha County."--Elle, "Wagner's ability to limn the mercurial ways of Hollywood is astonishing, and he...writes with a fiery grace...A brutal phantasmagoria on the pleasures and perils of the dream factory."--Kirkus Reviews, "Wagner has the ...marvelous ability to be resolutely kind and unsparingly cutting at the same time, a contradiction played out hilariously in [Still Holding]." -- Entertainment Weekly, "The effect is like a Buddhist El Greco, a coil of figures spiraling awkwardly heavenward against a garish backdrop...But it's a gorgeous freak show, and part of the pleasure is that Wagner seems to be having so much fun." -- New York Magazine, "Still Holding finds the Nabakov of New Age Angeleno life in the best form of his career - which is saying something...Probably because of the ghettoization of the Hollywood novel, Wager has never received the Franzen-like critical adulation that he deserves. Then again, he has never particularly sought celebrity; he has simply made it his own territory, with as much genius and ferocity as Faulkner applied to laying bare the gloriously unsavory humanity of Yoknapatawpha County." -- Elle, "Bruce Wagner is a moralist whose misfortune it is to have as his subject the self-crazed, affect free, excess-addicted world capital of amorality, Hollywood. His hard luck is our good fortune. In blazing, high-speed prose he tears into his subject with a taboo-breaking savage rage disguised as wild comedy. He is a visionary posing as a farceur." -- Salman Rushdie, "Still Holding...is the hippest, funniest and most angrily humane novel written about Hollywood in the last 20 years...You finishStill Holdingwith one regret -- that it wasn't longer by about a third; you're not ready for Wagner to quit phoning it in."-- Dwight Garner inThe New York Times Book Review, "Still Holdingis Bruce Wagner's masterpiece. It's the place where his razor-eyed contempt melts, and he extends to his Hollywood doomed and damned a horrible empathy and pity. It's a primer and a Baedeker of the corruption of media and the human cost of playing game. This book contains miracles of wit, laughter and social commentary. It's a Hollywood novel that embraces everyone who has ever wanted to be someone else. Wagner's heart and energy abound."--James Ellroy, "One of the few authors who has managed to convey Hollywood's inanity, vulgarity and venality without partaking of those qualities is Bruce Wagner...That rapture of decay, physical and emotional, is Wagner's ultimate subject, and he's lucky to have a place that feeds his imagination so well. For a writer, a territory to be mined is a precious thing. Imagine Dickens without London, Dostoevsky without St. Petersburg. It's like that for Bruce Wagner and Hollywood. He owns this fetid, steaming lump of a town."--The Los Angeles Times Book Review, "Wagner's ability to limn the mercurial ways of Hollywood is astonishing, and he...writes with a fiery grace...A brutal phantasmagoria on the pleasures and perils of the dream factory." -- Kirkus Reviews, The Washington PostWhat Wagner does, nobody does better. He is the Nathanael West, the Budd Schulberg of our time, the go-to guy for closely observed novels about a sun-soaked hellhole that may or may not be a real place., "Wagner has the ...marvelous ability to be resolutely kind and unsparingly cutting at the same time, a contradiction played out hilariously in[Still Holding]."--Entertainment Weekly, The Washington Post What Wagner does, nobody does better. He is the Nathanael West, the Budd Schulberg of our time, the go-to guy for closely observed novels about a sun-soaked hellhole that may or may not be a real place., "Bruce Wagner is a moralist whose misfortune it is to have as his subject the self-crazed, affect free, excess-addicted world capital of amorality, Hollywood. His hard luck is our good fortune. In blazing, high-speed prose he tears into his subject with a taboo-breaking savage rage disguised as wild comedy. He is a visionary posing as a farceur."-- Salman Rushdie
