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Jacques Henri Lartigue: The Invention of an Artist - Hardcover - GOOD

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Brand
Unbranded
MPN
Does not apply
ISBN
9780691120027
Book Title
Jacques Henri Lartigue : the Invention of an Artist
Item Length
9.2 in
Publisher
Princeton University Press
Publication Year
2004
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1 in
Author
Kevin Moore
Genre
Photography, Biography & Autobiography
Topic
Individual Photographers / General, Artists, Architects, Photographers, History
Item Width
9.2 in
Item Weight
46.1 Oz
Number of Pages
272 Pages

About this product

Product Information

"This book places Lartigue's work in a context that is unknown to the English-speaking world. Jacques Henri Lartique makes an important contribution to the history of photography and will bring about a complete reassessment of Lartigue and his work."--Marta Braun, Ryerson University

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691120021
ISBN-13
9780691120027
eBay Product ID (ePID)
30223117

Product Key Features

Book Title
Jacques Henri Lartigue : the Invention of an Artist
Author
Kevin Moore
Format
Hardcover
Language
English
Topic
Individual Photographers / General, Artists, Architects, Photographers, History
Publication Year
2004
Illustrator
Yes
Genre
Photography, Biography & Autobiography
Number of Pages
272 Pages

Dimensions

Item Length
9.2 in
Item Height
1 in
Item Width
9.2 in
Item Weight
46.1 Oz

Additional Product Features

Lc Classification Number
Tr140.L32m66 2004
Reviews
Moore delves revealingly into the personal and cultural context of Lartigue's work and its 'rediscovery,' and he writes well enough to make this complex story engrossing. -- Kenneth Baker, San Francisco Chronicle, This is not a dry scholarly text, but an interesting account of the shaping of an art career and the strong influences of the artist's visual culture., "Moore delves revealingly into the personal and cultural context of Lartigue's work and its 'rediscovery,' and he writes well enough to make this complex story engrossing."-- Kenneth Baker, San Francisco Chronicle, "This is not a dry scholarly text, but an interesting account of the shaping of an art career and the strong influences of the artist's visual culture."-- Cheryl Shugars, Philadelphia Inquirerer, "Moore delves revealingly into the personal and cultural context of Lartigue's work and its 'rediscovery,' and he writes well enough to make this complex story engrossing." --Kenneth Baker, San Francisco Chronicle, A sophisticated, clearly written and argumentative book. . . . As Moore convincingly argues, Szarkowski's promotion of Lartigue coincided with the curator's early attempts to validate photography as an art whose formal qualities were derived not from painting or other 'synthetic' mediums but from its own 'analytic' traditions of vernacular and commercial practice., "This is not a dry scholarly text, but an interesting account of the shaping of an art career and the strong influences of the artist's visual culture." --Cheryl Shugars, Philadelphia Inquirerer, "A sophisticated, clearly written and argumentative book. . . . As Moore convincingly argues, Szarkowski's promotion of Lartigue coincided with the curator's early attempts to validate photography as an art whose formal qualities were derived not from painting or other 'synthetic' mediums but from its own 'analytic' traditions of vernacular and commercial practice." --Andy Grundberg, Art in America, Moore delves revealingly into the personal and cultural context of Lartigue's work and its 'rediscovery,' and he writes well enough to make this complex story engrossing., A sophisticated, clearly written and argumentative book. . . . As Moore convincingly argues, Szarkowski's promotion of Lartigue coincided with the curator's early attempts to validate photography as an art whose formal qualities were derived not from painting or other 'synthetic' mediums but from its own 'analytic' traditions of vernacular and commercial practice. -- Andy Grundberg, Art in America, "A sophisticated, clearly written and argumentative book. . . . As Moore convincingly argues, Szarkowski's promotion of Lartigue coincided with the curator's early attempts to validate photography as an art whose formal qualities were derived not from painting or other 'synthetic' mediums but from its own 'analytic' traditions of vernacular and commercial practice."-- Andy Grundberg, Art in America, This is not a dry scholarly text, but an interesting account of the shaping of an art career and the strong influences of the artist's visual culture. -- Cheryl Shugars, Philadelphia Inquirerer
Table of Content
INTRODUCTION--Lartigue's Invention 7 FORMATION: lartigue as Amateur, 1894-1922 Chapter One: Amateur Photography 17 Chapter Two: Sport and fashion 71 Chapter Three: Cinema 129 TRANSFORMATION: Lartigue as Artist, 1963-1979 Chapter Four: Lartigue at MoMa 163 Chapter Five: Lartigue after MoMa 195 CONCLUSION 215 Appendix A: Key to names of Lartigue's Family, Friends, and Pets 218 Appendix B: 1963 MoMa Exhibition Checklist 219 Chronology 221 Notes 223 Acknowledgments 255 Bibliography 256 Index 266 Photography Credits 272
Copyright Date
2005
Target Audience
Trade
Lccn
2003-068991
Dewey Decimal
770.92
Dewey Edition
22

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