Look, if it's good enough for the likes Stevie Wonder and countless radio and music pros through the years, it's good enough for my podcast! It makes us sound professional--the dual frequency settings, set to the 'quick attack' setting (usually used for drums) smooths out my vocal pattern (I tend to shout and overmodulate a bit) and makes for an overall great sound to my voice for our show. I own two, both bought through eBay, and am seriously considering adding another to round out the mic cabinet for our show. It's rugged construction allows for us to take it "on the road" to our various live events, and not be too concerned about damage--we treat it very well, but it's a tough sucker and doesn't need to be "babied" like so many other similar mics. Considering it's price when bought new, a used purchase of the RE-320 on eBay at the price where I usually see has to be one of the best values in the pro audio market.Read full review
Verified purchase: Yes | Condition: Pre-owned
It’s just ok to my ears. Sounds a bit cheap / harsh compared to the classic smooth sounding RE20. If you need brighter then the RE27 is also a much better choice. Can not really recommend this one.
Verified purchase: Yes | Condition: Pre-owned
There are plenty of in depth reviews on these products on blogs and YouTube. If you want the tech specs, look at those. For me, I got these products to publish my podcast. I have a Shure X2U XLR-to-USB Signal Adapter attached that gives me 25DB of pretty clean gain. the RE320 runs pretty hot and my software it at 25%. So far, I love it. Id suggest getting a shock mount of some type and the mic is pretty heavy so a sturdy arm or boom will make life easier. The PSA1 does great at supporting the weight of my shock mount and the RE320; very smooth and stays right where I need it all day.
Verified purchase: Yes | Condition: Pre-owned
I run this microphone through a commercial audio mixer, which has an equalizer with individual level, treble, mid, and bass controls. Then I feed the mixer output through a Direct Box ( DI ), an impedance matching device, directly to the microphone input connector on my Ham Radio transmitter. Although, the microphone sounds good going directly into the Ham Radio, it does not have enough microphone level gain. Having the mixer in-line allows my voice level to be set in order to talk within the range of 2-4 inches from the microphone. Once the level is set, then my voice can be colored to taste by adjusting the treble, mid, and bass controls on the mixer. I like the full-bodied bass sounding voice results this microphone provides. This type of sound is really appealing for late night talking, when several Ham Radio operators are having a roundtable discussion. However, most of the older Ham Radio operators, basically don't hear the full audio spectrum as well anymore, but usually they can hear sound within the treble to high range audio better. Thus, under the demands of variable conditions, this microphone, when used with a mixer, allows it's full dynamic audio range to excel, no matter which range of audio one chooses to use. I love this microphone. With this microphone, I can make my voice sound deep like the infamous international professional late night shortwave talk radio studio host and announcer, Art Bell.Read full review
Verified purchase: Yes | Condition: Pre-owned
I was very pleased to see the mic and case looked like brand new and it works excellent. Because of its sensitivity, it required a few resets on the audio gains, but that was to be expected and the noise canceling design feature is definitely a plus as well, I use this mic for the audio of a broadcast transmitter and get good audio reports from those that I talk to.
Verified purchase: Yes | Condition: Pre-owned
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