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CAConrad ECODEVIANCE (Paperback) (UK IMPORT)
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eBay item number:116045881426
Item specifics
- Condition
- Publication Name
- ECODEVIANCE
- Title
- ECODEVIANCE
- Subtitle
- (Soma)tics for the Future Wilderness
- EAN
- 9781940696010
- ISBN
- 9781940696010
- Release Date
- 09/25/2014
- Release Year
- 2014
- Country/Region of Manufacture
- US
- Book Title
- Ecodeviance : (Soma) Tics for the Future Wilderness
- Item Length
- 10in
- Publisher
- Wave Industries Books
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5in
- Genre
- Poetry
- Topic
- Lgbt
- Item Width
- 7.5in
- Item Weight
- 12.3 Oz
- Number of Pages
- 160 Pages
About this product
Product Information
Listed in The Boston Globe's Best Poetry Books of 2014 Finalist for the Lambda Literary Award in Gay Poetry Winner of The Believer Poetry Award "The (Soma)tic Exercises are innovative and crucial to our art form. . . . Conrad must be one of the most original practitioners of poetry forging new territory."-- The Rumpus "There was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it."-- The Huffington Post From "M.I.A. ESCALATOR": The ultrasound machine gives the parents the ability to talk to the unborn by their gender, taking the intersexed nine-month conversation away from the child. The opportunities limit us in our new world. Encourage parents to not know, encourage parents to allow anticipation on either end. Escalators are a nice ride, slowly rising and falling, writing while riding, notes for the poem, meeting new people at either end, "Excuse me, EXCUSE ME. . . ." My escalator notes became a poem. CAConrad's ECODEVIANCE contains twenty-three new (Soma)tic writing exercises and their resulting poems, in which he pushes his political and ecological efforts even further. These exercises, unorthodox steps in the writing process, work to break the reader and writer out of the quotidian and into a more politically and physically aware present. In performing these rituals, CAConrad looks through a sharper lens and confirms the necessity of poetry and politics. CAConrad is the author of A Beautiful Marsupial Afternoon (Wave Books, 2012) and The Book of Frank (Wave Books, 2010/Chax Press, 2009), as well as several other books of poetry and essays. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.
Product Identifiers
Publisher
Wave Industries Books
ISBN-10
1940696011
ISBN-13
9781940696010
eBay Product ID (ePID)
202765116
Product Key Features
Book Title
Ecodeviance : (Soma) Tics for the Future Wilderness
Format
Trade Paperback
Language
English
Topic
Lgbt
Publication Year
2014
Genre
Poetry
Number of Pages
160 Pages
Dimensions
Item Length
10in
Item Height
0.5in
Item Width
7.5in
Item Weight
12.3 Oz
Additional Product Features
Lc Classification Number
Ps3603.O555e36 2014
Reviews
Again and again, CAConrad's poetry demonstrates that self-exposure--the braver and more apparently audacious, the better--has the capacity not only to create some of the rawest, most intensely intimate and original poetry being written today, but also to act as a powerful force for overcoming the communicative barriers all around us. --Excerpted from the announcement for The Fifth Annual Believer Poetry Award to ECODEVIANCE From these rituals come notes; from those notes come poems; and from those poems comes not just a view into his process, but an entrance into another present, which a reader could as easily follow on her own -- across the page as a poem, or across time as a performance of the same ritual. --Michael Andor Brodeur, The Boston Globe We need this so bad right now: an alternative to all the shoulds, the obligations we take on ourselves to be productive, do more, know more, and care harder so we can fix things; a counter to the stultifying and earnest gloom, self-flagellation, and resignation that is just crushing nature poetry. ECODEVIANCE is a subversive syllabus for a queer ecopoetics, ... exercises, all at once, in magic, telepathy, transgression, confrontation, fantasy, wish-fulfillment, interspecies communications, self-healing, and writing. --Charles Legere, Boston Review The constant reverberations of collective and individual injury and suffering are openly registered in Conrad's work to memorable effect. Dedicated to his friends, ECODEVIANCE is kept from imploding on itself by love, camaraderie, and determination--a time capsule for the future wilderness and anyone who's being here now. --Charity Coleman, BOMB These poems are extreme, it's true. There's no way to, there's no reason to, deny this. When Conrad explains that he wants to "create" an extreme present, he doesn't mean that the present which he creates is one that is extreme by virtue of the fact that he has bloodied his foot or inserted a plastic tube into his penis, it is extreme by virtue of the fact that we have all made it extreme--"I blame everyone when I blame / myself I'm that good a shot," he says. --Drew Webster, Colorado Review Much of Conrad's work directly illuminates his politics, attacking the separation that he believes American culture creates between humans and the natural world. He presents at once a project of radical existential protest, a back-to-nature agenda, and a goal of queer liberation. -- Publishers Weekly I'm crazy about how this project combines a dead-serious activist mission (connecting with other humans despite and in full acknowledgment of war, violence and environmental degradation) with wacky procedural methods ripe for inspiration. I love that it lays the whole process and intention bare for all of us to see with a kind of transparency all too rare for poets. . .and yet the resulting poems are still mysterious and wholly unexpected. --Arielle Greenberg, The American Poetry Review The language in Conrad's poems is surprising in its rawness. While grounded in the specific and the material, the poems touch on Big, Important Issues. The poems themselves, however, stay firmly grounded in this world, in language that actual people use. --H. V. Cramond, New Pages, Again and again, CAConrad's poetry demonstrates that self-exposure--the braver and more apparently audacious, the better--has the capacity not only to create some of the rawest, most intensely intimate and original poetry being written today, but also to act as a powerful force for overcoming the communicative barriers all around us. --Excerpted from the announcement for The Fifth Annual Believer Poetry Award to ECODEVIANCE From these rituals come notes; from those notes come poems; and from those poems comes not just a view into his process, but an entrance into another present, which a reader could as easily follow on her own -- across the page as a poem, or across time as a performance of the same ritual. --Michael Andor Brodeur, The Boston Globe We need this so bad right now: an alternative to all the shoulds, the obligations we take on ourselves to be productive, do more, know more, and care harder so we can fix things; a counter to the stultifying and earnest gloom, self-flagellation, and resignation that is just crushing nature poetry. ECODEVIANCE is a subversive syllabus for a queer ecopoetics, ... exercises, all at once, in magic, telepathy, transgression, confrontation, fantasy, wish-fulfillment, interspecies communications, self-healing, and writing. --Charles Legere, Boston Review The constant reverberations of collective and individual injury and suffering are openly registered in Conrad's work to memorable effect. Dedicated to his friends, ECODEVIANCE is kept from imploding on itself by love, camaraderie, and determination--a time capsule for the future wilderness and anyone who's being here now. --Charity Coleman, BOMB These poems are extreme, it's true. There's no way to, there's no reason to, deny this. When Conrad explains that he wants to "create" an extreme present, he doesn't mean that the present which he creates is one that is extreme by virtue of the fact that he has bloodied his foot or inserted a plastic tube into his penis, it is extreme by virtue of the fact that we have all made it extreme--"I blame everyone when I blame / myself I'm that good a shot," he says. --Drew Webster, Colorado Review Much of Conrad's work directly illuminates his politics, attacking the separation that he believes American culture creates between humans and the natural world. He presents at once a project of radical existential protest, a back-to-nature agenda, and a goal of queer liberation. --Publishers Weekly I'm crazy about how this project combines a dead-serious activist mission (connecting with other humans despite and in full acknowledgment of war, violence and environmental degradation) with wacky procedural methods ripe for inspiration. I love that it lays the whole process and intention bare for all of us to see with a kind of transparency all too rare for poets. . .and yet the resulting poems are still mysterious and wholly unexpected. --Arielle Greenberg, The American Poetry Review The language in Conrad's poems is surprising in its rawness. While grounded in the specific and the material, the poems touch on Big, Important Issues. The poems themselves, however, stay firmly grounded in this world, in language that actual people use. --H. V. Cramond, New Pages
Table of Content
INTRODUCTION M.I.A. ESCALATOR PRETERNATURAL CONVERSATIONS EQUINOX EVE: Silent Meeting Group UNKNOWN DURATION OF FEAR SUSPENSION FLUID MAGNIFICENCE SECURITY CAMERAS AND FLOWERS DREAMING THE ELEVATION ALLEGIANCE SCRYER'S INVITATION QUARTZ CRYSTAL SHAKESPEARE SONNET TRANSLATION ARBOREAL CRYSTAL ARIA FULL MOON HAWK APPLICATION PAINTED PIGEON PROJECT CORMORANT STAGECRAFT 9 ADZUKI THOUGHTS TRANSLUCENT SALAMANDER TIME TRAVEL APPLICATION MINDING THIRST RESTORATION FIBER SONG HEALING FOR A PEDOPHILE I LOVED EARTH YEARS AGO GENDER CONTINUUM RADAR REVERIES: Kingdom of the Coatimundi CATHETER ENJAMBEMENT GRAVE A HOLE AS DREAM A HOLE
Copyright Date
2014
Lccn
2014-001452
Dewey Decimal
811/.6
Intended Audience
Trade
Dewey Edition
23
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